SP🔴TLIGHT ARTWORK
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SP🔴TLIGHT ARTWORK
The falling or flying man?
No matter which way you hang this artwork it works.
Man of Inner Strength(circa 1993)
Artwork inspired by Bill Paton a man of inner strength
[“Guang Rong de ren” 光荣的人(glorious man)]
Artist: Neville Williams ©️Arts Law Australia
Size: 120cm W x 133cm H
Medium: Pencil, acrylic, silver permanent indelible ink,
collage on stretched canvas, framed
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NO PROPS NEEDED JUST A SOLID FOUNDATION
⚪️🔴🟠🟡🟢🔵🟣⚫️
"LIBERTÉ - I AM MY OWN FLAG" [1997]
Artist: Neville Williams ©️Arts Law Australia
Size: 75cm(H) with flagstaff
Media: Fired clay, bitumen, lacquer with wooden base
POA
The cracks are intentionally left.
Liberty is a fragile thing requiring constant vigilance.
Originally this figure carried a broken flagstaff and I never really understood why. I do now.
And then too it is true you never stop learning about YOO.
Plenty though need inspiration or a pointer forward.
Is it too pointed to ask where is the Flag of Surrender in our lives? NW☺︎
LIBERTY, EQUALITY, FRATERNITY
Title: LIBERTÉ (1999)
(also logo design from 2000 Exhibition)
Artist: Neville Williams ©️Arts Law Australia
Size: 51cm (W) x 75cm (H)
Media: Charcoal, Conté crayon
and pastels on paper (unframed)
POA
This is the first of seven very similar drawings
that were produced as a series
and exhibited at my solo show (with the help of others)
during the AIDS crisis.
One tribute for each friend lost to AIDS.
I kept the original drawing highlighted above but the past is now gone
and it is time to move forward and pass the baton on!
We all face adversity at different points in our life
and this may come in many different forms.
Rising above the hardships that may be visited upon us
is most surely a challenge.
That is something of an understatement when we look around our world.
This drawing is intended to provide inspiration to anyone
who might be facing a struggle in their lives.
The only banner worth carrying is for ❤️.
LIBERTY, EQUALITY, FRATERNITY
brothers & sisters in life. NW☺︎
"Pippin's Poppies"(2021) [Reworked 2026]
Artist: Neville Williams ©️Arts Law Australia
Canvas Size: 76cm W x 101.5cm H x 3.5cm D
Media: Acrylic, charcoal, Conté crayon, tissue paper,
gold leaf on canvas (Box Framed under clear acrylic)
POA
_________________
Artist's Note:
This artwork is inspired by an exuberant theatrical production of the show “PIPPIN” staged at the Lyric Theatre in Sydney (Dec. 2020). Glad to have seen the show early in the season because its run was cut short by Covid.
Jeez, all of the work that those wonderful artists, musicians, production, creatives and management people put into that fabulous show. The production deserved a longer run.
What talented people!
I do so love excellence in no matter what form it comes.
I’ve glued my front row ticket (thanks John) to the canvas.
It deserves to be there. Loved it.
In Pippin a young Prince goes on a journey,
in a sense to find himself, only to ultimately discover
what he is looking for in the simple life of home.
Pippin’s travails are a burst of colour to say the least. - N.
I recently reworked this artwork
and also had it box framed.
I'm very happy with the result.
The right frame sets it off just nicely.
…………………………………………
PINK NAPOLEON (a.k.a. Pink Narcissus) [2024]
Artist: Neville Williams ©️Arts Law Australia
Media: Fired clay, mixed media
on wooden and metal base
Size: 67cm (H) x 24cm square base
$400
This is one of those sculptures that I keep reworking and am almost happy with the way he/she him/her they/them is presenting. Though the figure does need more pink*.
The message here is about masculine and feminine energies and parity between the two.
Both are doing it hard at the moment.
Both exist in each of us whether male, transgender or female.
Boy O’ boy (or Sheee’z) are things out of balance presently.
What a tug of war is going on inside and outside of people.
To explain the sculpture here...
The masculine has been out whacking for years dominating the landscape…(hence the purposely intrusive out of proportion phallus)…and to what benefit ultimately? What was gold and shiny is now tarnished. The feminine is presently fighting back to secure a place. Not before time. Just look at the world presently.
I titled this sculpture with the French Emperor’s name and abstract likeness because he is a relevant example of the destruction that can be caused when you LET those take charge who just will not bend and keep going back for more of an addictive testosterone hit. An historical habit that can be attributed to the masculine.
Paradoxically this Napoleon looks feminine or at the least ‘effete’ (and so, the ever so ‘Barbie’ pink colouring). If you turn him around and look at the back side of him though the machinery of war makes up the content of his innards or character.
We need both male and female energies in our world. Each has their place and role to make good. But all in good balance.
"Narcissistic posturing is just so yesterday Barbie!" - KEN. Blah! -NW
* I shall add more pink to the sculpture as the feminine asserts itself.
Artwork Title: Uriel means Angel
Artist: Neville Williams (2026) / © Arts Law Australia
Size: 122cm (H) x 92cm (W) x 4cm (D)
Media: Indelible ink, acrylic, collage on canvas (Framed)
I share here some facts about my Mother.
Uriel was both a very bright and striking lady in her personality, precise, methodical, accurate and a perfectionist. If something, anything was going to be done then it was done properly and completely. She lived by those standards. I as a matter of course was influenced by those standards.
To paint my Mother in a loose “free spirited” expressionist way would not be a true reflection of her though her life has been full of colour and vibrancy. She most certainly lived it. Uriel was usually the life of the party.
Uriel's name comes from one of the “Archangels” in The Bible. I wouldn’t describe my Mother as a religious person. She certainly did though respect the value of life - hers, everyone and everything around her. There was a dignity and reserve about Uriel.
Mum treated others with a kindly respect even though there were those who don’t necessarily deserve it. In that Australian way she was an encourager of the underdog. In fact she was a most appropriate example of a dying breed of Australian who’ll have a go and give others a go as well. No pretensions. What you saw was what you got - open and honest, friendly and genuinely warm.
She tried hard over her lifetime to do the best she could and succeeded. She most certainly took her responsibilities to her family very seriously and knew what the word commitment means.
Simple, happy, laughing and joyous are descriptives that filled her life being on this earth. Uriel was one of those people who was gifted with being truly interested in other people and it was not unusual for complete strangers to share with her the story of their life within five minutes of meeting her. She loved talking and was an excellent conversationalist with those who met her path.
An ordinary person living an extraordinary life.
Shown (adjacent) are a few of the hundreds of "mandalas" hand coloured by Uriel. They can be seen in the background of her portrait.
Mum was loved by some, warmly liked by most and judged by those who don’t know themselves. But that happens to people who give off an unencumbered light.
Uriel knew that she was something good without being full of herself.
The love I have for her was earned through year upon year of unconditional giving on her part.
Uriel is a National Treasure and should be recognised and in her memory treated as such. She was one of the best of her “old school” generation and most certainly has earned the title of "elder". Neville ☺︎