SPOTLIGHT ARTWORK




 Theseus and the Minotaur(2020)
"Make the maze of life amazing"
(with a wink to Rosalie Gascoigne and a nod to John Coburn)

Artist: Neville Williams ©️Arts Law Australia
Size: 59cm (H) x 74cm (W)
Medium: Mixed media on cardboard jigsaw puzzle
PRIVATE COLLECTION


YOO are looking into a mirror.

The Minotaur and Theseus are both in us 
and it's quite a maze inside there!
To find his way out of the maze Theseus carried a string 
to mark the route and so find his way back to his own Eden. 

In this story Theseus comes to understand that facing  
the fears we all hold within us makes a more complete self.  
It's OK to have a shadow. 
The light and the dark are opposite halves of the same whole.

"Know thyself"*
...and you've found the source of your own happiness.
That's a Sun Tree to the left of artwork. 

Put simply this artwork is a contemporary retelling 
of the old adage "HOME SWEET HOME".  NW☺︎
*Socrates



🔴

 


AN EVOLVING ARTWORK 
🌟Version No. 7

TOWARDS PIERROT [free(me)]

ARTIST: Neville Williams©️Arts Law Australia

MEDIA: Fired Clay, lacquer, polished brass, 
indelible ink on wooden base.
SIZE: 72cm(H)  Base: 20cm square
NFS


Above is the seventh evolution of this particular sculpture. 
This is in fact a self portrait that parallels the journey of the artist's life. 
But it could also be a portrait of all of us. 
We are all walking the path of life with its many ups and downs.

It is noted in this particular version there is some hope. 
He has dropped his club (see the base of the sculpture).

His feet appear to need to come down to earth.
That rod up his arse doesn't help!

The ties that bind him are breaking away 
so there is more freedom in his life. 
He is reaching for the stars 
but still needs to understand that the stars he is looking for 
are not in the heavens but within inside himself. 

The universe inside us all is waiting for discovery. 19 Aug. 25

🔴





TOWARDS PIERROT (Version 6)

ARTIST: Neville Williams©️Arts Law Australia

MEDIA: Fired Clay, lacquer, gold leaf, 
polished brass, indelible ink on wooden base.
SIZE: 63cm (H)  Base: 20cm square
POA


TOWARDS PIERROT

(On connection)


What is life without connection?

A shell of emptiness

An existence without purpose

Ambitions without foundation

A story without direction

Like waiting for Godot


I knew connection

A freedom from weighty thoughts

A quiet happiness

A peaceful bliss

The absence of internal struggle

Swimming amongst the stars inside


Out you go into the wild jungle

the oceans depth, the empty desert

the crazy world


So where to from here?

A new journey has begun

To overcome fear

Of the good inside.


Do we make a trial of it

Or a conscious adventure 

towards celebration?

Time for the never-ending circle

To become a whorl of life.

YOU discovering YOO.



[click on pics to enlarge]



...the history follows




CHANGE, DISAPPOINTMENT

AND BEING FLEXIBLE

IN OUR LIVES



Chameleon Harlequin 

(DEVELOPMENT OF AN ARTWORK)



This original sculpture has been reworked 
using the same sculpture

Each time he has either been knocked down, 
dropped accidentally, deliberately broken
or pulled apart I have needed to rebuild him. 
 
Each time he has been reworked he evolves …a bit


When we are broken we can put the pieces back together 
in a more interesting, fluid and creative way…

...or we can stay broken. There's a choice.

We can either be flexible, learn and grow or stay rigid 
placing ourselves behind defensive barriers and not budging 
from our small pond mindset.
 


Stay rigid though and sooner or later 
there'll be an almighty crack!
This is the voice of lived experience here.

Don't waste it. Live it and learn. NW☺︎

It has something to do with 
appreciation, acceptance, flexibility, humility and surrender. ðŸŒˆ


🔹🔷🔹


Chameleon Harlequin


ARTIST: Neville Williams
MEDIA: Fired Clay, lacquer, gold leaf, 
polished brass, indelible ink on wooden base.
SIZE: 63cm (H)  Base: 20cm square


This Harlequin is still in a process of change.
He is feeling bound up. 
This is not uncommon to many at present.
It feels like a rationalisation is in process.

We are being made to look at ourselves and decide
what is important to us and what is not.

Quite a difficult time. NW☺︎ 3 Feb. 2023





Primal Scream
 (THE MIDAS TOUCHED) 
[2024] 
[This artwork has now been enhanced with gold leaf]
©️Arts Law Australia
Size: 24cm H / Base 50cm W x 27cm L
Media: Fired Clay, porcelain paint, gold leaf and lacquer 
on stained wood base
$400

I heard someone scream the other day.
This was no ordinary scream.

It came from the deeper depths of the person's being.
It cut the air like a knife.
 A cry of despair.

It seemed to go on and on grating raw at the emotions.
It was a desperate scream of unfulfilled self knowing.
The scream of life longing for itself.
Disconnection.

It exampled for me the pain that Our World is going through presently.

This is an earlier sculpture
that in some way approximates what I heard in that person's pain.

I have revisioned the work to include gold leaf.
Maybe the 'gold' in our lives like Midas is making us rich 'materially' 
but the attachment is leaving too many without connection to our own hearts?
Hasn't it all got something to do with our choices and attaining a balance in our lives?

Time to come home. NW☺︎

DETAIL 
(CLICK ON IMAGE TO ENLARGE)

🔴






PINK NAPOLEON (a.k.a. Pink Narcissus) [2024]

Artist: Neville Williams ©️Arts Law Australia

Media: Fired clay, mixed media 

on wooden and metal base

Size: 67cm (H) x  24cm square base

$400


This is one of those sculptures that I keep reworking and am almost happy with the way he/she him/her they/them is presenting. Though the figure does need more pink*.


The message here is about masculine and feminine energies and parity between the two.

Both are doing it hard at the moment.


Both exist in each of us whether male, transgender or female. 

Boy O’ boy (or Sheee’z) are things out of balance presently. 

What a tug of war is going on inside and outside of people.


To explain the sculpture here...


The masculine has been out whacking for years dominating the landscape…(hence the purposely intrusive out of proportion phallus)…and to what benefit ultimately? What was gold and shiny is now tarnished. The feminine is presently fighting back to secure a place. Not before time. Just look at the world presently.


I titled this sculpture with the French Emperor’s name and abstract likeness because he is a relevant example of the destruction that can be caused when you LET those take charge who just will not bend and keep going back for more of an addictive testosterone hit. An historical habit that can be attributed to the masculine.


Paradoxically this Napoleon looks feminine or at the least ‘effete’ (and so, the ever so ‘Barbie’ pink colouring). If you turn him around and look at the back side of him though the machinery of war makes up the content of his innards or character.


We need both male and female energies in our world. 

Each has their place and role to make good. 

But all in good balance.


"Narcissistic posturing is just so yesterday Barbie!" - KEN.  Blah! -NW


* I shall add more pink to the sculpture as the feminine asserts itself.






THE ARTIST'S FULL RESUME CAN BE READ (HERE)

__________________________________________________________



ON THE WALLS OF BUREAUCRACY 
WE ARE PUTTING IN OUR OWN WAY


(CLICK ON IMAGE TO ENLARGE)


Title: "The Peoples Forum"(2020)
Artist: Neville Williams ©️Arts Law Australia
Size:  93cm (W) x 93cm (H) x 7.5cm (D)
Media: Collage, foil, acrylic on canvas framed with a cream mount 
behind perspex within a natural Tasmanian Oak wood box frame.
$3,000


(CLICK ON IMAGES TO ENLARGE)


Artist's Synopsis


ORICA HOUSE, MELBOURNE / Pic: Artist
This artwork features ORICA HOUSE located in Melbourne used in the ABC TV / Working Dog Series “UTOPIA” about a fictitious Federal Government instrumentality known as the NBA - Nation Building Authority. The series satirises the inanity of a government bureaucracy and pushes home a message that it’s a wonder that any nation building ever gets done with all the barriers we put in our way…and it is us who create this bureaucracy. 

Rob Sitch who plays the central character in the TV series kindly supplied feedback noting... 

"...That's very interesting that you picked that building.... 
we fell in love with it and sadly, 
were only able to use it the very first season… 
It was an utterly wonderful building to work in... 
A great subject matter for your work." Rob Sitch

Of course it's not the actual building that is the real villain here. 
Nothing wrong with the building itself. 
It is quite lovely in design both inside and externally.

But in this artwork it provides the metaphor of a mirrored wall reflecting back to us the lack of clarity that prevents us from seeing our deeper selves or what needs to be done to move us forward. This can be interpreted to be not only at government or business levels but from our own individual confusions, beliefs, values, ideas or whatever our unbridled, misunderstood thinking puts in our way to distract us.

In the artwork you can see that the lights are on but no one is there. 
Most are elsewhere during Coronavirus! The head spaces are fully buzzing with a whole array of problems.

Buried within this wall of confusion is the matrix of a new Australian Flag that has been placed in a mixed mosaic form. (Our future is in us if only we could see it.) If you took the time you could piece the coloured blocks into an actual clear, workable, practical Flag design that gives respect to our collective past and present and also points an aspirational direction towards our future. (Anyone with common sense and patience could put the pieces together correctly). 

I only initially revealed the completed version of the New Standard to two people - a First Nations Elder and a First Nations Warrior. I have more recently revealed the design to a small hand full of proven leaders.

A new national flag is something that needs to be earned to give it value and appreciation of its significance.

You can see that the additional Flag almost invisible on top of the building is the ‘surrender’ flag. When we can surrender our confusions and belief systems that keep us going round in circles and reconcile the differences within inside ourselves then we can substitute a flag that actually says something solid. What we can see literally and curiously here is a blank space!

It may appear that the flag is flying at half mast. I’d prefer to see that it is in a process of being raised into its rightful position amongst the world’s great nations. The Australian Standard I’ve designed is most fit for purpose. I repeat, a flag though needs the value and support of many to mean something more than being just a good piece of graphic design.

The artwork is titled “THE PEOPLES FORUM”.  
The path in the foreground leads around the wall of the building that is in the way.  
The Peoples Forum (unseen here) is a place on the other side of this wall of, well, to be blunt…ignorance.

Ents (Philanthropy, Arts and Media) are shown guarding the path as wise guides along the way. - Neville ☺︎ 


FOOTNOTE:
Walls of bureaucracy are formidable and impenetrable requiring a lot of energy and resources to fortify over time or for anyone to try to penetrate. 

That was evidenced in producing this artwork. 

ORICA HOUSE, MELBOURNE / Pic: Artist
Cutting out and sticking on separately all those little building blocks of reflective foil obscuration gave me one helluva sore back and blurred my vision for a period. 
I actually bled during the course of this wall’s construction. Cut my thumb open with the scalpel I was using. Bureaucracy of any sort is so very painful to deal with at any level (ground floor through to the top). 
Talk about suffer for your art.

The bureaucracy of life we've created really does need simplifying. 

Frankly, I'm too old and tired now to have anything to do with all of the carry on of both bureaucracy or politics at any level. It is all such a waste of creative energy. 

My job is to create beautiful art and I will continue to do so until I can no longer. - Neville ☺︎



THE ARTIST'S FULL RESUME CAN BE READ (HERE)

_________________________________________________

TAKE TIME TO SMELL THE FLOWERS


"Pippin's Poppies"(2021)

Artist: Neville Williams ©️Arts Law Australia

Size: 76cm W x 101.5cm H x 3.5cm D

Media: Acrylic, charcoal, Conté crayon, tissue paper, 

gold leaf on canvas (unframed)

POA


_________________


Artist's Note:

This artwork is called “Pippin’s Poppies” inspired by an exuberant theatrical production of the show “PIPPIN” staged at the Lyric Theatre in Sydney (Dec. 2020). Glad to have seen the show early in the season because it was squeezed out too soon by Covid. 


Jeez, all of the work that those wonderful artists, musicians, production, creatives and management put into that fabulous show. The production deserved a longer run. 

What talented people!


I do so love excellence in no matter what form it comes. 

I’ve glued my front row ticket (thanks John) to the canvas. 

It deserves to be there. Loved it.


In Pippin a young Prince goes on a journey, 

in a sense to find himself, only to ultimately discover 

what he is looking for in the simple life of home. 

Pippin’s travails are a burst of colour to say the least. NW☺︎


…………………………………………


FOOTNOTE: This is a very delicate artwork. 

The painted tissue paper flowers project forward of the canvas. 

This is part of the attractiveness of the artwork but also makes it fragile. 

To give the artwork longevity any purchaser should adopt the painting 

with the understanding that for best display it needs to be placed 

in a BOX FRAME UNDER GLASS OR CLEAR ACRYLIC. 

To display the artwork as is will expose it to dust and the elements. 

The painting would only last for a very short time.

A bit like real flowers. Enjoy them while yoo can.


……………………………………………







HOME ON A HILL < | > HOME OF LIGHT 
   (Addressing simplicity) < | > (Addressing complexity)
 
Artworks by Neville Williams (2025) © Arts Law Australia



PLEASE NOTE
Each artwork here utilises the same 
horizontal compositional structure lines 
but are very different paintings.

Each painting is complementary to the other.